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Post by funkle on Jun 1, 2020 14:58:04 GMT -6
My first reaction was: oh no... an overly happy, falsetto Norwegian rapper. Oh, Richard Bona bass sickness, oh, the keyboard solo...
This one was kind of a similar reaction. It's sort of light pop/funk with some solid fusion underpinnings, and some pretty impressive bass playing.
Reminds me a bit of Knower, or Valerie Stepinov. The vocals area little over the top, but I think I like it
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Post by GeorgeX on Jun 1, 2020 15:14:09 GMT -6
Not a fan of the over emotive, high vox, or the polished to a sheen
cheddar pop sound.
Nothing here for me beyond the bass playing, and I can hear them both on
better things than this pablum.
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Post by funkle on Jun 1, 2020 15:30:59 GMT -6
Not a fan of the over emotive, high vox, or the polished to a sheen cheddar pop sound. Nothing here for me beyond the bass playing, and I can hear them both on better things than this pablum. I think maybe he's channeling Stevie Wonder |
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Post by GeorgeX on Nov 23, 2020 10:51:39 GMT -6
Not a fan of the over emotive, high vox, or the polished to a sheen cheddar pop sound. Nothing here for me beyond the bass playing, and I can hear them both on better things than this pablum. I think maybe he's channeling Stevie Wonder How dare you insult Stevie. Just listened to their new EP and it's hideous. Work Shit Out is decent, but that's an older track. It took them 6 years to produce a 5 song recording that seems to just be a compilation of singles. I hoped, when these guys hit, it might lead to better playing and more organic instrumentation in pop. Instead, it has people thinking this is what fusion sounds like. It's already getting votes as fusion on RYM. For fucks sake |
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